Kandahar Cockney: A Tale of Two Worlds
James Fergusson
The remarkable and touching story of a singular friendship between the author (an affluent Western correspondent) and his Pashtun interpreter who meet in an Afghan war-zone and resume their friendship when Mir becomes an asylum seeker in London’s East End.In the spring of 1997, James Fergusson, a young freelance British correspondent, encounters a local Pashtun interpreter named Mir in rebel-controlled Afghanistan. They soon become firm friends, with Mir an invaluable guide not only to the battle zone, but to the country's complex politics, culture and traditions. Not long after James’s return home, Mir and his family are forced to flee Afghanistan, fearing for their lives. When Mir arrives in London seeking asylum, it is to James that he turns for help. Now their roles reverse: the guided becomes the guide as James introduces Mir to the bewildering customs of the infidel West.Yet in many ways it is Mir who remains the guide – this time to a side of his own homeland that James had never noticed or engaged with before. He discovers whole communities of Afghans scattered throughout London, and the shadow economy in which asylum seekers are forced to work. He accompanies Mir through the labyrinthine asylum system, with its endless round of tribunals, appeals, delays and disappointments; and introduces him to the important things in life like Tesco’s, bank holiday weekends and the seaside.James Fergusson’s moving and remarkable portrait of a singular friendship gives a human face to one of the most tangled and emotive issues of our time. Powerfully evoking the no-man's land between the Third and the First Worlds, between Islam and the West, ‘Kandahar Cockney’ also places a very contemporary story in a greater historical context, showing how surprisingly enduring the legacy of Britain’s colonial era really is.
Kandahar Cockney
A Tale of Two Worlds
James Fergusson
Praise (#ulink_72e652fa-a471-5fcf-8c43-2e049fc4065b)
From the reviews of Kandahar Cockney:
‘Funny, pacy, illuminating…it really is as good as everyone’s saying. I recommend it hugely’
JAMES DELINGPOLE, Mail on Sunday
‘Fergusson’s sensitivity to his themes and the congruity of prose and dialogue give Kandabar Cockney the flavour of a novel…a richly entertaining, artful slice of journalism that turns a potentially miserable subject into a penetrating comedy of cultural values’
WILL COHU, Daily Telegraph
‘A unique journey into the terrifying life of an asylum seeker in London…God knows, we need writers and such books to describe the desperate dispossessed who crawl to this island…a cracking story; his writing is clear and intimate’
YASMIN ALIBHAI-BROWN, Independent
‘Tender and entertaining, Kandahar Cockney manages to span some of the great divides of our age – between migrant and native, the developed and developing world, Islam and the West’
PHILIP MARSDEN, TLS
‘First-class…Fergusson always notices the right things, and describes them in a way that leaves a reviewer thinking “I wish I’d written that”’
MATTHEW LEEMING, Literary Review
‘A book which should be read by anyone who wants to know the meaning of modern exile’
SUSANNAH HERBERT, Sunday Telegraph
‘A moving and intelligent book. Culture-clash is an old theme: but few people have done it better, and fewer have taken such trouble to explore their own cities in order to find it’
Economist
TO OUR PARENTS
Table of Contents
Cover Page (#ue56b09a6-9151-5f28-a471-ad25a20eeab6)
Title Page (#ue437f235-daae-562c-848a-3d7813a012a3)
Praise (#ud5145367-a820-52cf-8cb8-e9134812d16d)
Author’s Note (#ud43dfcf9-c86e-5401-8745-1cc4ad760a6a)
Prologue The Old Bailey, Winter 2002 (#uf21634e7-a787-5fce-a689-1a9e6f09c1b7)
1 London, May 1998 (#u2e7f14d6-f20d-582a-9c04-b556b008e07f)
2 June–December 1998 (#u0059c77e-b7c1-545a-8c4e-003d5f573cae)
3 January 1999–August 2000 (#ua258d186-72bb-58ba-aa87-de5a445e144e)
4 June 2000–September 2001 (#uffe1ca90-79cc-5ced-a8ea-344999534cd4)
5 September 2001–September 2002 (#u0453602c-d877-552e-8f35-799937554aed)
6 Pakistan, October 2002 (#uac2aceca-2ac5-5694-9ffe-040866aa3c8f)
7 Afghanistan, October 2002 (#u3b5ac103-c332-5697-9e8c-2901b0351217)
8 London, November 2002 (#u7c55ebba-3957-5373-b8e1-dac8637634f4)
Epilogue (#ub6dc6f6f-3a56-551a-a190-a9c0dbddf2cd)
P.S. (#u743aada4-b68a-5df4-b157-395bfca288a7)
About the author (#u85ba42f6-7224-5837-a21d-44e147402bef)
Profile of James Fergusson Alex Linklater (#u48a1476c-6aca-53c0-a6e9-5670e91fa465)
Life at a Glance (#u5b0607f4-e799-5086-be5a-5d82ead65ea2)
Top Ten Books (#u98cada53-9fdd-529a-aae6-f7dc2990a63b)
About the Book (#uf7021303-a7ee-5c8b-9568-738413761f14)
A Critical Eye (#u5a13ea6b-85d6-5297-806e-a0fbf24f6e4b)
Update (#uac991587-d7d7-55f0-b38f-bd7adbf3772d)
Read on (#u97e1907f-5ae1-5f74-a7e1-ef1bde372cff)
If You Loved This, You Might Like… (#u59c5db16-c3d5-5cf9-8854-946acbab1e5c)
About the Author (#u4b7d00bb-0dfb-58b0-96b0-ab7a8bf3e8a0)
Copyright (#ubb67f495-3baf-5fcb-a3d6-97c30be8953c)
About the Publisher (#u34c0acc1-aaae-5b2a-94ef-e9788ef37f13)
Author’s Note (#ulink_0c67aacc-c110-59ec-b159-a51c87c1c9b0)
The account that follows is a true story. However, although Mir supported this project from the start, he has also always wished to remain anonymous. For this and other reasons, including legal ones, names and some details have been changed.
Prologue The Old Bailey, Winter 2002 (#ulink_1f8a7389-d9a6-5d52-8a70-28f071f68998)
The jury hadn’t deliberated for long enough. It was barely two hours since the judge had finished his summing-up and the court had risen for the lunchtime recess. The case was complex and serious. Surely they couldn’t have reached a verdict already? They had barely had time to digest their jury-room sandwiches. Lenora, the defence barrister, thought the Tannoy recall to the courtroom was probably due to some technical question they wanted to put to the judge. I’d had a chance to study the jurors over the previous week, and they seemed a responsible lot: six men and six women, eleven whites, one middle-class black in a poloneck. On the face of it you couldn’t ask for a better slice of citizenry. Two or three of them had taken copious notes during the trial. The oldest of them looked like an avuncular Guardian reader in his grey-collared cardigan and half-moon spectacles on a chain, a man who looked as though he had seen and got the point of Twelve Angry Men. We needed someone who could think for himself, an independent-minded liberal capable of countering the prejudices of the jury’s weaker members, someone who might object in principle to the judge’s one-sidedness. He looked like our Henry Fonda. With luck he might even be picked as the jury foreman. Surely such a man could not have missed the fact that in his summing-up the judge had spent a full hour on the prosecution’s case and just half an hour on the defence’s – could he?
There was little doubt that the trial had gone badly. Gulabuddin, diffident at the best of times, had performed so poorly in the dock that Lenora thought there must be a problem with the interpreter and had called for a replacement. The judge suspected this was just a ploy by the defence – a suspicion apparently confirmed when Gulabuddin’s answers continued to bear no relation to the questions put to him, questions that in the privacy of his lawyer’s chambers he had answered with the confidence of an innocent man. Nerves? An Afghan’s innate shame and shyness at talking about sex in public? It was hard to tell. Lenora worried that Gulabuddin had come across as morally dubious. The judge evidently thought so. I’d looked him up in Who’s Who and found him to be an Establishment man, a product of Harrow and Cambridge and a stalwart of the Law Commission, a respected body engaged in the reform of the law. He also seemed to be one of those clubland patricians with a kneejerk distrust of journalists of any kind. Even the prosecution counsel had privately observed to Lenora that he was very Old School. My stomach tightened at the memory of my own appearance as a character witness the day before. Like the BBC correspondent Lionel David I had been belittled, discredited, almost sneered at.
– Mr Fergusson, the judge had expostulated when I explained why I’d posted bail for the terrified creature in the dock: I believed him to be innocent. We are really not interested in your views. As a journalist of great experience, you know perfectly well that standing bail for someone has got nothing to do with their innocence or guilt. That is for the jury to decide; you know that.
I hadn’t banked on my testimony having an adverse effect on the case. The consequences of losing it were so appalling that the Afghans hadn’t even dared contemplate them. From the cramped public gallery I watched Gulabuddin stooping in the dock, flanked by yellow-shirted Securicor guards. He looked hopelessly out of place, a big man oddly diminished by the expanses of light oak and pompous Edwardian brass. He shifted his weight and smiled uncertainly back at me. It had been a bad idea after all not to get rid of his awful suit and dress him up in something smarter. The idea had been to present him as a respectable maths professor down on his luck, but in fact he looked more like the seedy sex-offender he was accused of being. His eyes were red and haggard, the bags beneath them dreadful proof of his weeks of fear and insomnia. He’d been crying quietly in the cafeteria during lunch. His cousin Mir, the Kandahar Cockney, this story’s starting point and the reason that I was here at all, was sitting in the row in front of me with his head between his knees and his fingers in his ears. Courtroom 17 was unusually small for the Old Bailey and had no separate public gallery, so that onlookers were escorted into the back of the courtroom itself. The tiny public benches were so like the pews of an English country church that Mir almost appeared to be praying. Then again, he probably was. If ever there was a moment to invoke the mercy of Allah, this was surely it.
The usher entered from a side door and whispered something to Lenora, who flinched and shot a sickly smile across the silent courtroom. It wasn’t a technical question: the jury were ready to deliver their verdict after all. She was as nervous as the rest of us now, her earlier bravado all gone. We stood as the jury filed in, radiating the gravitas of their task. We searched and searched their faces for a sign of their decision but they avoided eye contact with any of us.
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