Black Enough: Stories of Being Young & Black in America
Ibi Zoboi
Edited by National Book Award finalist Ibi Zoboi, Black Enough is an essential collection of captivating stories about what it’s like to be young and black in America.Black is maleBlack is femaleBlack is straightBlack is gayBlack is urbanBlack is ruralBlack is rich. And poorBlack is mixed-raceBlack is immigrantsBlack is moreThere are countless ways to be BLACK ENOUGH.Featuring some of the most acclaimed bestselling American black authors writing for teens today, Black Enough is an essential collection of captivating stories about what it’s like to be young and black in America.Stories from: Renee Watson, Varian Johnson, Leah Henderson, Lamar Giles, Kekla Magoon, Jason Reynolds, Brandy Colbert, Tochi Onyebuchi, Liara Tamani, Jay Coles, Rita Williams-Garcia, Tracey Baptiste, Dhonielle Clayton, Justina Ireland, Coe Booth, Nic Stone and Ibi Zoboi
First published in the United States of America by Balzer + Bray in 2019
Balzer + Bray is an imprint of HarperCollins Publishers
Published simultaneously in the UK by HarperCollins Children’s Books in 2019
HarperCollins Children’s Books is a division of HarperCollinsPublishers Ltd,
HarperCollins Publishers
1 London Bridge Street
London SE1 9GF
The HarperCollins Children’s Books website address is
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
Black Enough: Stories of Being Young and Black in America
Copyright © 2019 by Ibi Zoboi
“Half a Moon” copyright © 2019 by Renée Watson
“Black Enough” copyright © 2019 by Varian Johnson
“Warning: Color May Fade” copyright © 2019 by Leah Henderson
“Black. Nerd. Problems.” copyright © 2019 by Lamar Giles
“Out of the Silence” copyright © 2019 by Kekla Magoon
“The Ingredients” copyright © 2019 by Jason Reynolds
“Oreo” copyright © 2019 by Brandy Colbert
“Samson and the Delilahs” copyright © 2019 by Tochi Onyebuchi
“Stop Playing” copyright © 2019 by Liara Tamani
“Wild Horses, Wild Hearts” copyright © 2019 by Jay Coles
“Whoa!” copyright © 2019 by Rita Williams-Garcia
“Gravity” copyright © 2019 by Tracey Baptiste
“The Trouble with Drowning” copyright © 2019 by Dhonielle Clayton
“Kissing Sarah Smart” copyright © 2019 by Justina Ireland
“Hackathon Summers” copyright © 2019 by Coe Booth
“Into the Starlight” copyright © 2019 by Nic Stone
“The (R)Evolution of Nigeria Jones” copyright © 2019 by Ibi Zoboi
Cover image of girl copyright © Masterfile; cover image of boy copyright © Shutterstock
Cover design copyright © HarperCollinsPublishers Ltd 2019
The authors assert their moral right to be identified as the authors of their work.
A catalogue record for this book is available from the British Library.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008326555
Ebook Edition © 2019 ISBN: 9780008326548
Version: 2018-12-18
TO VIRGINIA HAMILTON AND WALTER DEAN MYERS.
WE STAND ON THE SHOULDERS OF GIANTS.
Contents
COVER (#u6a827857-81a2-5393-af16-7c106bfc3cd6)
TITLE PAGE (#ua51486b8-e78c-5224-9942-a1a161957dcc)
COPYRIGHT (#u92ce8afa-2b3d-5035-9c5f-3f2b4a81694a)
DEDICATION (#u4e002561-bc59-5a44-9059-551fcc90f085)
INTRODUCTION (#ue07e499b-54cc-5c62-b04d-3cbb71cf7bcf)
JUNE SARPONG (#ue07e499b-54cc-5c62-b04d-3cbb71cf7bcf)
INTRODUCTION (#uc7e12f72-2e80-5571-b1ef-70b494b0e91a)
IBI ZOBOI (#uc7e12f72-2e80-5571-b1ef-70b494b0e91a)
HALF A MOON (#u3a6c0363-fafe-5245-b0db-bae6701e5be1)
RENÉE WATSON (#u3a6c0363-fafe-5245-b0db-bae6701e5be1)
BLACK ENOUGH (#ud1e05332-1cc4-5764-9b42-cddc64e8da07)
VARIAN JOHNSON (#ud1e05332-1cc4-5764-9b42-cddc64e8da07)
WARNING: COLOR MAY FADE (#u0e388aff-b679-59fe-9b24-904a2cd9878f)
LEAH HENDERSON (#u0e388aff-b679-59fe-9b24-904a2cd9878f)
BLACK. NERD. PROBLEMS. (#u401d7f78-bb7d-53e7-a4e9-6950c9071cfc)
LAMAR GILES (#u401d7f78-bb7d-53e7-a4e9-6950c9071cfc)
OUT OF THE SILENCE (#u32dd9105-42f1-5d85-a1c3-61a2d1fba930)
KEKLA MAGOON (#u32dd9105-42f1-5d85-a1c3-61a2d1fba930)
THE INGREDIENTS (#uaba3defe-e1dd-5ee2-9025-07d3738c4998)
JASON REYNOLDS (#uaba3defe-e1dd-5ee2-9025-07d3738c4998)
OREO (#ucd1361c7-5fe8-5035-81e6-263c728e35d4)
BRANDY COLBERT (#ucd1361c7-5fe8-5035-81e6-263c728e35d4)
SAMSON AND THE DELILAHS (#ue595cb49-e143-56c2-87d5-55fa80c1b470)
TOCHI ONYEBUCHI (#ue595cb49-e143-56c2-87d5-55fa80c1b470)
STOP PLAYING (#ube2221ef-1951-5c80-8f78-30b3c110da39)
LIARA TAMANI (#ube2221ef-1951-5c80-8f78-30b3c110da39)
WILD HORSES, WILD HEARTS (#u4ff3582e-7d9f-5fb0-967b-11ce34b6c28f)
JAY COLES (#u4ff3582e-7d9f-5fb0-967b-11ce34b6c28f)
WHOA! (#ue9819781-ef91-5587-afa5-b150c50e9844)
RITA WILLIAMS-GARCIA (#ue9819781-ef91-5587-afa5-b150c50e9844)
GRAVITY (#u9d826af1-0cca-589d-aae6-7422013aecea)
TRACEY BAPTISTE (#u9d826af1-0cca-589d-aae6-7422013aecea)
THE TROUBLE WITH DROWNING (#u37681a09-6c29-5da9-b80c-df120ce0902c)
DHONIELLE CLAYTON (#u37681a09-6c29-5da9-b80c-df120ce0902c)
KISSING SARAH SMART (#u37147751-cd52-5e6a-991c-b9881a7f8e90)
JUSTINA IRELAND (#u37147751-cd52-5e6a-991c-b9881a7f8e90)
HACKATHON SUMMERS (#u160f8c45-74bf-5ecf-88e9-62308f6bdbc8)
COE BOOTH (#u160f8c45-74bf-5ecf-88e9-62308f6bdbc8)
INTO THE STARLIGHT (#u78e316c6-ec07-566b-9a76-d05013c5c158)
NIC STONE (#u78e316c6-ec07-566b-9a76-d05013c5c158)
THE (R)EVOLUTION OF NIGERIA JONES (#u65be5099-caea-5c8d-bdfe-97e15cc83ddb)
IBI ZOBOI (#u65be5099-caea-5c8d-bdfe-97e15cc83ddb)
AUTHOR BIOGRAPHIES (#u982045bd-ac38-5393-bb32-20192164cfc9)
ABOUT THE PUBLISHER (#u673e0f25-433f-56eb-ac8d-625f440b77a9)
INTRODUCTION (#ulink_8037c664-b63c-59e0-b205-c8ef7a3c38ff)
JUNE SARPONG (#ulink_8037c664-b63c-59e0-b205-c8ef7a3c38ff)
Any child of colour raised in the West will have been told early on by their parents or guardians that “they need to work twice as hard” in order to achieve success. Those people may not recall exactly when they had their first “conversation”, but they will remember having it.
For non-white children growing up as minorities in Europe or North America, the first uncomfortable “conversation” with their parents isn’t about the birds and the bees – that comes later – it’s about more pressing matters that will impact them from the moment they leave the safety of their parents’ home and enter the world.
Pre-school can often be a baptism of fire for children of colour. While white children may have the luxury of waiting till their tweens before having to learn about the realities of life, children of colour are told much earlier, their “conversation” being more about the inequalities and discrimination that they will invariably face at some point in their lives. Unfortunately, this is regardless of how privileged, talented or brilliant they might be. This is a heartbreaking burden that parents of colour bear, or white parents of non-white children must face. Children of mixed-race heritage are one of the fastest-growing ethnic groups in Britain, so now many parents who themselves might not have had a personal experience of discrimination are having to have that “conversation” with their children.
In Black Enough, Ibi Zoboi powerfully weaves together a collection of short stories that examine what it means to be young and black in America. These stories bring us up close and personal with heroes and heroines who are trying their best to win on an unlevel playing field: young people refusing to give up even when the odds are stacked against them; young people who will open your hearts and minds in ways you couldn’t imagine.
Like all great coming-of-age adventures, you, the reader, will leave as much changed as the protagonists. Black Enough will open your eyes to US injustices that are just as relevant here in the UK; Black Enough will provide you with a new-found appreciation for the resilience of the human spirit; and, more importantly, Black Enough will remind you of our shared humanity.
Whether you are a young person dealing with similar challenges faced in the pages of this book, a parent wanting to raise “woke” children, or simply an ally for change and inclusion, Black Enough will arm you with extra tools on your journey to make the world a fairer place.
INTRODUCTION (#ulink_10ba2565-01b3-5566-8dd6-f325f15d8178)
IBI ZOBOI (#ulink_10ba2565-01b3-5566-8dd6-f325f15d8178)
I was born in a country known for having had the first successful slave revolt in the world. Way back in 1804, Haiti became the very first independent Black nation in the Western Hemisphere. If global Blackness had a rating scale of one to ten, the Haitian Revolution has got to be at level ten, being the most Blackest thing that ever happened in history.
But none of that mattered when I first immigrated to the United States as a child. The Black and Latinx kids in my Brooklyn neighborhood didn’t know and didn’t care that my native country had once been a hub for freed slaves from America. According to them, I wasn’t Black enough. I wore ribbons in my hair and fancy dresses to school, and I had a weird accent and a funny name. Most important, I didn’t know how to jump double Dutch or separate a sunflower seed from its shell with just my front teeth, and I was off-key and off-beat when stomping, clapping, and singing to the latest cheers. These were all definitions of Brooklyn’s summertime Black girlhood.
By the time I started high school, I had mastered all of those things and could easily blend into New York’s particular brand of teen Blackness, even while tucking away the quirky parts of myself—my love of sci-fi, disco music, and John Stamos.
In college, my small Black world expanded when I met my first roommate, who had the thickest Southern accent I had ever heard. My best friend in high school was African American and I’d been to her big family cookouts and even to visit her cousins in a small Black town in South Carolina. I’d been a little jealous that she had such a big family and at a moment’s notice could be surrounded by a plethora of aunts, uncles, and cousins. This was my first glimpse into African American culture—one with deep roots in the South. But that new roommate of mine with the Southern accent was from Rochester, New York, and her family had lived there for as long as she could remember.
Once I met new friends from Nigeria, Ghana, South Africa, and even England, my idea of Blackness began to expand. It was only then that I started to connect my own Brooklyn Blackness to a global idea of Blackness. After all, while the girls in my neighborhood teased me about not knowing how to spit out sunflower seeds, they didn’t know how to properly eat a mango, or know Creole or Patois or any of the Caribbean ring games. But before long, I knew there was a fine thread that connected all of these cultural traditions to each other.
Blackness is indeed a social construct. Within the context of American racial politics, there can be no Black without white. No racism without race. But the prevalence of culture is undeniable.
What are the cultural threads that connect Black people all over the world to Africa? How have we tried to maintain certain traditions as part of our identity? And as teenagers, do we even care? These are the questions I had in mind when inviting sixteen other Black authors to write about teens examining, rebelling against, embracing, or simply existing within their own idea of Blackness.
Renée Watson’s opening story, “Half a Moon,” places Black teen girls outdoors, among trees, and swimming in lakes—and yes, there is the common understanding that the hair situation is already handled. Jason Reynolds and Lamar Giles fully capture #blackboyjoy in their respective stories “The Ingredients” and “Black. Nerd. Problems.” There are no pervasive threats to their goofing around and being carefree. The intersectional lives of teens who are grappling with both racial and sexual identity are rendered with great care and empathy in Justina Ireland’s “Kissing Sarah Smart,” Kekla Magoon’s “Out of the Silence,” and Jay Cole’s “Wild Horses, Wild Hearts.” From Leah Henderson’s story of appropriation at a boarding school to Liara Tamani’s story of inappropriate nude pic games at a church beach retreat, the teens in Black Enough are living out their lives much like their white counterparts. They are whole, complete, and nuanced.
Like my revolutionary ancestors who wanted Haiti to be a safe space for Africans all over the globe, my hope is that Black Enough will encourage all Black teens to be their free, uninhibited selves without the constraints of being Black, too Black, or not Black enough. They will simply be enough just as they are.
HALF A MOON (#ulink_be8cddbd-600b-55e0-aed1-b6d24dab7b99)
RENÉE WATSON (#ulink_be8cddbd-600b-55e0-aed1-b6d24dab7b99)
DAY ONE: SUNDAY
Dad left when I was seven years old.
Mom thinks I was too young to remember Dad living with us, that I am holding on to moments I heard about but don’t really know for myself. But I am seventeen years old now and I know what I know. Mom is much further from seven, so maybe she doesn’t understand that at seventeen years old a person can still remember being seven, because it wasn’t that long ago.
Seven was watching Saturday-morning cartoons and practicing counting by twos, fives, tens. I remember. Seven was fishing trips with Dad and Grandpa, and being crowned honorary fisherwoman because once I caught more than they did. Seven was family camping trips and looking up at the night sky with Dad, pointing to the stars that looked like polka dots decorating the sky. Mom mostly stayed in the RV, and one time—the time when a snake crawled into Mom’s bag—she made Dad end the trip early and we checked into a hotel.
Seven was Dad and Mom arguing more than laughing. Seven was staying at Grandma’s on weekends “so your parents can have some time together,” Grandma would say. At Grandma’s house there was no arguing or slamming doors. Only puzzle pieces spread across the dining room table, homemade everything, and Grandma’s gospel music filling the house.
Seven was Dad leaving Mom. Leaving me.
And now, seventeen is spending my spring break working at Oak Creek Campgrounds as a teen counselor for sixth-grade students, because I have to work, have to help out at home, because Mom can’t take care of the bills alone.
Seventeen is knowing what to pack for trips like this because I’ve done this before at fourteen, fifteen, and sixteen: allergy pills, bug spray, raincoat, Keens for the walking trails, and my silk scarf so that I can tie my hair up at night. I braided my hair before I left so that if it rains, my hair won’t stand on top of my head, making me look like I got electrocuted.
When I was in middle school, I was a camper at the Brown Girls Hike summit. That’s one of the requirements for becoming a counselor. The annual camp is for Black girls living in the Portland metro area. Mrs. Thompson started the camp because she felt Black teens in Portland needed to learn about and appreciate the nature all around us. Every year she tells us, “Our people worked in the fields, we come from farmers and folks who knew how to get what they needed from the earth. We’ve got to get back to some basics. We’ve got to reclaim our spaces.”
This is my last year working for the camp before leaving for college, so I want to make it the best one ever. But as soon as the bus full of sixth-grade girls pulls into the parking lot, I start having doubts that any good will come of this week. Out of all the girls on the bus, there’s one I recognize. She is sitting at the front, all by herself. She is a big girl with enough hair to give some away and still have plenty. As soon as I see her, my heart vibrates and my mind replays ages seven and eight and nine and ten, and eleven and twelve and all the years without my dad, because the girl on the bus sitting on a seat by herself is my dad’s daughter.
Brooke.
She was born when I was seven.
She is the reason Dad left Mom. Left me.
I’ve seen her before, always like this, as I am going about my regular life. She shows up in places I don’t expect. Once at Safeway when I was with Mom grocery shopping because there was a sale on milk. She was coming down the aisle with Dad, the two of them with a cart full of things that weren’t on sale, no coupon ads in hand. We said hello, but that was it.
Another time I saw her at Jefferson’s homecoming football game. The whole community was out, and my aunt kept joking about how you can’t be Black in Portland and not know every other Black person somehow, someway. “It’s like a family reunion,” she said.
Except Brooke is not my family.
She is the girl who broke my family.
During the game, I couldn’t stop staring at Brooke, thinking how much she looks like Dad and wondering how it is that I came out looking just like Mom—tall and thin—more straight road and flat terrain than curves and mountains. I could tell we were opposite in personality, too. She couldn’t keep still all night, full of laughter and words, waving to friends, singing along with the music at halftime. So much energy she had. Such joy spread across her face.
Not like today.
Today, she is not with her mom or my dad. Today, when she gets off the bus she is walking alone and her head is hung low and she looks completely out of her comfort zone. Maybe she is only joyful when she’s with her family. Maybe she wasn’t prepared to be on a camping trip with girls from North Portland. She lives in Lake Oswego. I doubt she’s ever been around this many Black girls at once. I step back a bit, hide behind Natasha, the only other teen counselor I like in real life, outside of camp. We’ve worked together every year. Natasha’s family is the kind you see in the frames at stores, the kind on greeting cards, so I don’t tell her my father’s daughter is on that bus. Natasha doesn’t know anything about dads leaving their children.
Mrs. Thompson, the only person I know who can make a T-shirt and jeans look classy, stands at the bus waiting for the door to open. Usually as campers get off the bus, we clap and cheer and usher them into the main lodge for the welcome and cabin assignments. But I keep hiding behind Natasha, who turns and asks, “You all right?” as she claps and yells, “Welcome, welcome.”
Brooke doesn’t notice me. She is occupied with pulling her designer suitcase with one hand and holding her sleeping bag with the other. She looks like she is prepared to go to a fancy resort, not a muddy campground. I think about all the money Dad must spend on her name-brand clothes and shoes, her hair and manicures. This camp. She is probably one of the few girls here who paid full tuition.
Once we are all in the main hall, Mrs. Thompson gives a welcome, reviews the rules, and then tells us what our room assignments will be. Each teen counselor is responsible for four campers. She explains, “You will all have a teen counselor, or what I like to call a big sister, to look up to while you are here. If you need anything, please reach out to her.”
I see Mrs. Thompson pick up her folder. She reads the master roster and begins to call out the cabin assignments. All the groups are named after a color. After she calls the Red, Yellow, and Gray groups, she says, “Raven, come on down!” like she’s on The Price Is Right.
I walk to the front and stand next to Mrs. Thompson. Brooke is sitting right in the first row. She finally sees me. At first there is shock on her face but then her expression softens and she smiles and waves.
I look away.
Mrs. Thompson says, “Raven is responsible for the Green Campers. If you have a green folder, please come forward. That’s Mercy, Cat, Hannah, and Robin. You will be in Cabin Three with Natasha and the Blue Campers.”
The girls rush over to me, green folders in hand and smiling those shy first-day-of-camp smiles. I don’t look at Brooke when the girls crowd around me, giving me hugs like they already know me.
DAY TWO: MONDAY
It looks like it snowed last night. The black cottonwood trees are fragrant and sweet smelling and the wind has blown their fluff across the campgrounds. The snow-like flowers stand out bright against the darkness of the fallen brown branches. I am sitting on the porch in a rocking chair across from Mercy, Cat, and Hannah, who are sitting on the steps.
We are waiting for Robin to come down so we can head over to the dining hall for breakfast. Natasha’s group got to the showers first, so my girls had to wait. Natasha and I were smart enough to take our showers last night, because we know how these things go.
“I’ll see you all over there,” Natasha says to me as she leads the Blue Campers out the door, Brooke dragging behind them like the caboose of a train. I was relieved that she wasn’t in my group, but having her this close to me, in the same cabin, is just as awkward.
We still haven’t spoken to each other. What is there to say?
I watch Brooke as she walks to the dining hall and wonder what she is thinking, wonder what she knows about me, my mom. The other Blue Campers are walking side by side up the pathway, close to Natasha, who is leading the way up the steep hill. I watch Brooke trying to keep up, her plump legs climbing as fast as they can. I don’t think Natasha or the other girls realize how far behind she is.
The food at Oak Creek is some of the best eating I’ve ever had. The head cook is from New Orleans, and everything about her meals reminds us of where she is from. The dining hall is a symphony of mouths chewing, mouths talking, mouths laughing, mouths yelling across the room. Mrs. Thompson makes an announcement that it is the last call for the kitchen and if anyone wants more, they should go up now.
The symphony continues. More mouths chewing, mouths talking, mouths laughing, mouths yelling across the room. And then Mercy’s voice cuts through all the noise, like a siren. “You’re too fat to be getting seconds!”
I turn to see who Mercy is yelling at, getting ready to give my lecture about kindness and respect, because I am seventeen and that is what I am supposed to do, be an example. When I turn around, I see Brooke standing there with her tray, head down.
“Yeah,” one of the Blue Campers says, “you think just because you got long hair and expensive things you’re all that. But you’re not. You could barely walk up the hill this morning. You need to go on a diet.”
I don’t know what Brooke’s hair and belongings have to do with her weight. Sometimes, it’s easier to be mean to a person than to admit that you wish you were that person.
All the girls except Robin laugh. I think maybe I should say something since I am a fake big sister to Mercy and a real big (half) sister to Brooke. If Mrs. Thompson was standing here, she’d be disappointed and tell me that she expects more from me. If Mom was standing here, she’d be disappointed and tell me it’s not Brooke’s fault my dad left. She’d tell me I can’t go giving Brooke these feelings that really belong to Dad. But neither of them is standing here, so I don’t have to do what I know they’d want me to do. Besides, before I can even open my mouth, Natasha is already handling it. “It’s none of your business what she eats,” Natasha says. She puts her arm around Brooke, like a big sister would.
I find the words I know I should say and reprimand Mercy and the girl from the Blue group, but something in their eyes tells me they don’t believe I am as upset as I am pretending to be. Once I threaten to tell Mrs. Thompson, they agree to apologize. Brooke doesn’t even acknowledge them when they say, “Sorry.” She just keeps her eyes straight ahead, not looking at me either.
The Green Campers and the Blue Campers walk over to the cabin where workshops are held. Robin walks close enough to Mercy and her clique to be one of them but also close enough to Brooke to say, I see you, I know. I notice Brooke struggling again to get up the hill. She is breathing hard and sweating.
I could walk slower, let the others go ahead and stay behind with Brooke, but instead, I walk with my Green Campers. They are my responsibility; they are the reason I am here.
Natasha and I are outside on the back porch waiting for the botany class to end. The black cottonwood trees are still shedding. It looks like someone made a wish and blew a million dandelions into the sky. I am imagining a million of my wishes coming true, wondering what it would be like to want nothing, when I hear the botany teacher say, “Black cottonwoods are also known as healing trees, as they are good for healing all types of pains and inflammations. Some say this tree possesses the balm of Gilead because of the nutrients that hide in the buds and bark. Throughout centuries people have made salves from the tree to heal all kinds of ailments.”
When I hear this, I think of Grandma’s gospel records and how she is always humming along with Mahalia Jackson:
There is a balm in Gilead,
there is a balm in Gilead.
The botany teacher says, “There was a time when there was no hospital to go to and people knew how to rely on the earth to supply what they needed, how to mend themselves.”
There is a balm in Gilead
to make the wounded whole.
Natasha says, “You listening to me?”
I say yes, even though I am not because she is just talking about her boyfriend again, asking (but not really asking) if she should break up with him.
There is a balm in Gilead
to save a sin-sick soul.
DAY THREE: TUESDAY
For the rest of the day yesterday and all day today, at the campfire, and even as I lie in bed, all I can think about is how black cottonwoods bring healing. All I keep hearing is that song Grandma hums over and over, over and over.
Sometimes I feel discouraged,
you know and I feel like I can’t go on.
Oh, but then the Holy Spirit revives my soul again.
Revives my soul, my soul again.
There is a balm in Gilead
to save a sin-sick soul.
Grandma believes God can heal anything. But I wonder.
DAY FOUR: WEDNESDAY
Every year of camp, day four is the day campers start getting homesick, so all of us counselors have planned a late-night talent show to get everyone laughing and having a good time. There’s been stand-up comedy, Beyoncé lip syncs, and spoken-word poems. And now, Mrs. Thompson is getting the Soul Train line started. She sashays down the middle of the makeshift aisle as we clap and rock side to side. Each of us has a turn, all of us Black and brown girls dancing in a cabin in the middle of the woods. I imagine that underneath this cabin, the roots from trees are trembling from the bass and that leaves are swaying and dancing with us.
Mrs. Thompson thrives on nights like this. She is twirling and shake, shake, shaking, yelling, “This. Is. My. Song.” Marvin Gaye’s “Got to Give It Up” is the song that sets off our dance party every year. We usually play old-school music, because Mrs. Thompson says the music we are listening to these days isn’t really music. “Come on now, I’m older than all of you in here. Don’t tell me you can’t keep up. Come on now.” Mrs. Thompson grabs Brooke and tries to dance with her down the Soul Train line. “Come on, now, child,” Mrs. Thompson says.
Brooke doesn’t move.
Cat whispers to Mercy, “She don’t look like she dance at all.”
Mercy laughs and says, “Living all the way out there in Lake Oswego, she probably never even seen a Soul Train line.”
Mrs. Thompson is so into her dancing, she doesn’t even notice the tension between the Blue and Green Campers. “Natasha? Raven? One of you come help me out.”
Mrs. Thompson grabs me and we dance together down the aisle doing old-school dances (that I only know because Dad taught them to me). I get to the end of the line and I am out of breath and sweating and laughing. I look back at Brooke, who is standing in the same place, like a stone.
DAY FIVE: THURSDAY
The sun has said good night and now we are sitting under an ocean of stars. They shimmer like the glitter I once used on a Father’s Day card. It was after Dad left us. I never sent it.
If it weren’t for the fire, it would be darker than dark out. The rain starts and stops, but we are not going inside without at least one campfire story. Kyle, one of the other teen counselors, taught everyone the best method for roasting marshmallows. We squish the white sponge between graham crackers and squares of chocolate and feast while she whispers tales of the Oak Creek Monster.
“The spirit of a little girl who died a long time ago haunts these woods,” Kyle tells them.
Mercy breaks in, “How did she die?”
Kyle rolls her eyes—she hates being interrupted and prefers to pace out the story for dramatic effect. “Well, there are many theories. Some say the girl was walking with her friends by the creek and slipped in by accident and drowned. But others say her friends pushed her in. For months, everyone mourned the little girl and shunned the friends accused of murdering her. But one year later, on the anniversary of her death, the little girl was seen walking around the woods. People believe the girl faked her death to escape her evil stepmother and that she lives in the wilderness, surviving off the land. Many visitors have spotted her hiding in the tree house at the end of Willow Road.”
“There’s no tree house down the road!” Mercy says.
“There is, too,” Hannah tells her.
Other campers agree.
“I saw it when we got dropped off, right at the bottom of the road!” Brooke says.
Robin agrees. “Me too.” Robin scoots closer to me. Brooke scoots closer to her.
Kyle looks at all of us teen counselors and asks, “Should I let them know the rest?”
This hasn’t been rehearsed, so we all give different answers, nodding and shaking our heads, saying yes and no all at once.
Kyle continues, “Well, be careful, because the Oak Creek Monster gets lonely and likes to take campers to keep her company so she’s not living out here alone.”
Mercy stuffs the rest of the s’more in her mouth and blurts out, “This is stupid. There’s no such thing.” She stands and motions for Cat to come with her. “Let’s go back to the cabin. These stories are boring and you’re all a bunch of scaredy-cats.”
“I’m not scared,” Brooke mumbles.
Mercy says, “Well, you should be. You won’t be able to outrun the Oak Creek Monster. If it runs after us, you’ll be the first to be captured.”
The girls laugh and laugh. I stand up and Brooke’s eyes turn hopeful, like she thinks I am coming to tell them to stop. I wish our eyes didn’t meet, that I didn’t see how disappointed she looks as I walk past her, into the cabin, to get out of the heavy rain.
I hear Brooke say, “I’m not afraid.”
Mercy says, “Prove it.”
DAY SIX: FRIDAY
It’s six o’clock in the morning and Natasha is shaking me awake, whisper-yelling, “I can’t find Brooke! I can’t find Brooke! Mercy dared her to find the Oak Creek Monster.”
I get out of bed, put on my shoes, grab a flashlight and my phone, and throw my arms into my rain jacket. I run outside, heading to the path that winds around the back of the campus.
I am seventeen and my father’s daughter is out wandering in the rain. I am seventeen and I should have taken responsibility for watching her, should have stood up for her, made her feel like she belonged so she wouldn’t think she had to prove anything by taking a silly dare.
The path is slick and muddy because of the rain, and I can only see right in front of me because this flashlight isn’t as bright as I thought it would be. I shine the light in all the cabins we use for classrooms, the dining hall, the game room. I can’t find her. I jog down to the bottom of the hill. I flash the light all around, thinking maybe I will see her under a tree, waiting for the storm to pass. I shine the light up, moving it around and around at the sky, and then I see it.
The tree house.
The tree house is more like a tree mansion. Not only did Brooke find it, but when I knock and the door opens, she is inside sitting at a small kitchen table drinking hot apple cider with a gray-haired woman. The tree house is a cozy country cottage on the inside and is decorated with photos of smiling children and adults. The woman sees me eyeing them and tells me they are her children and grandchildren. “And you are?” she asks.
“I’m—I’m her sister,” I say.
Brooke’s eyes meet mine and she sets her mug on the table and stands up.
I apologize for the interruption of the woman’s night and explain the myth about who she is and tell her all about the dare. She finishes my sentence, chuckling. “I know, I know. I enjoy playing along,” she says.
“What do you mean?” I ask.
“Well, I’m actually the owner of this land. I manage the grounds. But I know what the rumors are and it makes for a good story, so sometimes I give a little wave there, a little howl here. You know, scare a few of the campers who come searching. But tonight, I saw something different in your sister’s eyes. And when I saw her standing outside, I just had to open the door and let her in.” The woman rinses the mugs in the sink and wipes her hands on her apron. She looks at Brooke and says, “You are very brave, facing your fears. I hope you are brave enough to conquer any monsters—literal or figurative—that come into your life.”
Brooke smiles.
“And what a thoughtful big sister you have,” the woman continues, “to come looking for you.”
Brooke blurts out, “She’s my half sister.”
I am not sure if she meant to hurt me or if she is just telling the truth. Maybe both.
The old woman says, “There’s no such thing as a half sister.” She walks over to the door, opens it. “Just like the moon,” she says. “There’s no such thing as a half moon either.”
Brooke looks at me for confirmation and I shrug.
The woman motions us to the door. “Look at the sky. Sure, there’s a half moon tonight that we can see, but the full moon is always there,” she tells us. “We see the moon because as it revolves around the Earth, only the part facing the sun is visible to us.” The woman stops talking and takes a long look at us. “Most times we only see part of a thing, but there’s always more to see, more to know.” She winks at me, says, “You understand what I’m saying?”
“Yes, ma’am,” I answer. “We better get going. If I don’t return soon, the others will worry.” I take my phone out and see that I have ten missed calls from Natasha. I text her back, She’s safe. She’s with me.
Just before we walk out the door, Brooke says, “Wait—I need a picture. Mercy said I had to get proof.”
“Well, of course. It didn’t happen if there’s no proof,” the woman tells us. She runs her fingers through her hair as if to fix it, but it falls in the same exact place.
For the first picture, the woman tries her best to look like a monster. She doesn’t smile and her eyes look lifeless, but then she breaks out into a laugh. I delete it and we pose again, taking a selfie with Brooke in the middle. After we take the photo, we say our goodbyes.
I walk with Brooke back to our cabin. Our feet break up puddles and stamp the mud with the soles of our shoes. The wind is blowing, and no matter how tight I tie my hood, it flies off. Brooke doesn’t have a hood, hat, or umbrella, so her hair is a wildfire spreading and spreading. The black cottonwood trees with their healing balm release more of their white fluff, making it feel like we’re walking in a snowstorm. Our faces and coats are covered.
I am walking fast so we can hurry out of the rain, but Brooke can’t keep up, so I slow down, take Brooke’s hand.
“Are we going to get in trouble?” Brooke asks.
“Mrs. Thompson will never know.”
“Are we going to tell that there is no monster?”
“They don’t have to know that. We can tell them you found the tree house, that you went in.” A gust of wind blows so hard it almost pushes me forward. “I’ll tell them how brave you are.”
DAY SEVEN: SATURDAY
I have spent seven whole days with my sister.
Today is the last day of camp. Most times I am happy to see the campers go. Most times I am ready to get back to my regular life. But not this time.
Word has spread that Brooke broke the curse. She met the Oak Creek Monster and lived to tell the story. No one else has done that. It is all everyone is talking about until Mrs. Thompson comes into the cafeteria. Then, all the voices fade to whispers and everyone keeps pointing and oohing and aahing at the girl who looked a monster in the eyes and survived.
After breakfast the Blue and Green Campers head back to our cabin to pack. It is tradition that the last day is a free day, which usually ends up being me and Natasha doing the girls’ hair. After a week of being in and out of the rain, most of us need a touch-up, some a complete do-over. I spend the afternoon braiding and twisting. I have done Robin’s and Cat’s hair, and then I ask Brooke, “Do you want me to do yours?”
She sits in the chair in front of me and I start parting and flat-twisting the front. The girls orbit around her. “So tell us again what happened,” Robin says.
Brooke retells the story of meeting the Oak Creek Monster.
The girls respond with “Really?” and “But weren’t you scared?” and “I can’t believe you did that.” I fan the flame, telling them “You should have seen her” and “I’m so proud.”
Mercy sighs. “All this talk about Brooke conquering the Oak Creek Monster, but there’s no proof. We said you had to prove it.”
I take my phone out of my pocket just as Brooke’s voice rises, “You think I had time to get proof while I was escaping a monster? Besides, my sister was there—she saw everything. She’s my proof.”
I put my phone back in my pocket, keep our secret. Watch everyone looking at me, at Brooke, as we rotate around our sun.
“You two are sisters?” Mercy asks.
Brooke says, “Yeah,” so matter-of-fact that no one says anything else about it. Natasha looks at me and, with my eyes I tell her I’ll explain it all later.
Standing here with a handful of Brooke’s hair in my palm makes me wonder what it would have been like to grow up with a little sister. Natasha has two younger brothers who she helped teach how to read and tie shoes and throw punches on the playground if someone was messing with them. I think about how even though I have Mom and plenty of cousins and friends, I don’t know what it’s like to have a sibling.
Maybe it would be like this. Me doing her hair and chaperoning sleepovers, me making sure she knows which way to walk, how to get where she’s trying to go. Me knowing that I would do anything to make sure she is safe.
Just before the campers board the bus to leave, Brooke turns to me and whispers, “Don’t forget to send me the picture,” with a smile stretched across her face. She takes my phone and puts her number in it. When she gets on the bus, she sits with Robin, and as they leave they wave big elaborate goodbyes. I wave back until I can’t see them anymore.
I take out my phone to text Brooke the picture, but when I look at the photo, I realize it is blurry and Brooke is not even looking at the camera and half of the woman’s face is cut out of the frame so you can’t really tell who we’re standing next to. I text the photo to Brooke anyway because I promised I would. It’s not the proof we thought we’d have, but we’ll always have this memory; we’ll always be able to tell the story.
I head back to my cabin. The wind has settled and the branches of the black cottonwood trees are still. There are no snow-seeds blowing furiously in the sky, but remnants from last night’s storm cover the damp ground. The sweet fragrance from the fallen fluff fills the air.
I breathe it in, sing Grandma’s song.
Конец ознакомительного фрагмента.
Текст предоставлен ООО «ЛитРес».
Прочитайте эту книгу целиком, купив полную легальную версию (https://www.litres.ru/ibi-zoboi/black-enough-stories-of-being-young-black-in-america/) на ЛитРес.
Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.